The 10th Asia Pacific Triennial of Contemporary Art
Until 25 April 2022
Queensland Art Gallery & Gallery of Modern Art
The 10th Asia Pacific Triennial of Contemporary Art (APT10) is an epic showcase of contemporary artwork from across the Asia Pacific region. This year, it brings together 69 different projects, from more than 150 individuals from 30 countries. Spanning both Queensland Art Gallery (QAG) and Gallery of Modern Art (GOMA) in Brisbane, the Triennial comprises everything from large-scale installations and immersive multimedia artworks, alongside sculpture, textiles, paintings, photography and video.
Considering this exhibition is in its landmark 10th edition, it automatically qualifies as ‘unmissable’!
The 10th Asia Pacific Triennial of Contemporary Art at Queensland Art Gallery. Front: Suggoo Pennise (detail, installation view) by Grace Lillian Lee and Ken Thaiday Snr / Meriam Mir people. Back: Tepo (mats) by Bajau Sama Dilaut Weavers. Photo – Chloë Callistemon for QAGOMA.
The 10th Asia Pacific Triennial of Contemporary Art at Queensland Art Gallery.
Left: Installation view of Air Canoe, a project for APT10 from the Federated States of Micronesia and the Republic of the Marshall Islands
Right: Syagini Ratna Wulan, Parhelion (installation view) 2021.
Photo – Joe Ruckli for QAGOMA
Carolina Caycedo, Yuma, or the Land of Friends, 2014. Installation view at the 8th Berlin Biennale for Contemporary Art, Museen Dahlen (2014), Berlin.
Left: Caio Reisewitz, Ituporanga, 2010. Installation view at Sesc Belenzinho (2010), São Paolo. Photograph – Caio Reisewitz.
Right: Badger Bates, Barka the Forgotten River and the Desecration of the Menindee Lakes, 2018. Courtesy the artist. Photo – Alex Rosenblum.
Installation view of ‘Matisse: Life & Spirit Masterpieces from the Centre Pompidou, Paris’ exhibition, on display at the Art Gallery of New South Wales. Photo – Mim Stirling for AGNSW.
Installation view of The Spirits of the Pumpkins Decended into the Heavens by Yayoi Kusama, 2017. Photo – courtesy of Ota Fine Arts.
Installation view of Bark Ladies: Eleven Artists from Yirrikala from 17 December 2021 to 25 April 2022 at NGV International, Melbourne. Photo – Tom Ross .
Installation view of Bark Ladies: Eleven Artists from Yirrikala from 17 December 2021 to 25 April 2022 at NGV International, Melbourne. Photo – Tom Ross .
Left: Nicole Foreshew, Wiradjuri people, study for work in progress, 2021.
Right: Dr Matilda House and Paul Girrawah House, Ngambri/Ngunnawal peoples, with scar tree, Kamberri/Canberra, 2021.
Installation view: Sidney Nolan: Myth Rider, TarraWarra Museum of Art, 2021. Photo – Andrew Curtis.
Heather B. Swann: Leda and the Swan. Installation view, TarraWarra Museum of Art, 2021
Photo – Andrew Curtis.
Installation view in Part Two of Know My Name: Australian women artists 1900 to now, National Gallery of Australia, Canberra, 2021.
Left Artwork: Margel Hinder, Revolving construction.
Right Artwork: Diena Georgetti, SUPERSTUDIO, 2015-2017, National Gallery of Australia, Canberra.
Photo – courtesy of the NGA.
Left to right:
Margaret Preston, Pink jug, 1925
Lily Sandover Kngwarray, Alyawarr people, Untitled, 1999.
Elisabeth Cummings, The Green Mango B and B, 2006.
Installation view of Telstra NATSIAA 2021. Photo – Mark Sherwood, Courtesy of MAGNT.
Installation view of Gabrielle Chanel. Fashion Manifesto. Photo – Sean Fennessy.
Untitled Botany Bay by Dennis Golding (Kamilaroi/Gamilaraay). Photo – Jack Cook.
Left: Dean Cross Self Portrait as Sidney Nolan’s Self Portrait 1943 2021. Image courtesy of the artist and Yavuz Gallery Sydney & Singapore.
Right: Sidney Nolan, Death of Captain Fraser , 1948.
